Romeo and Juliet - Fight scene Essay Example for Free

Romeo and Juliet Fight scene Essay In the opening of the fight scene the Montague boys are in their car driving towards the gas station messing about playing their music very loud . in this part of the scene the boys are all laughing and shouting until they pull into the station itself and then realize their worst enemies are there this makes some of the Montague boys very nervous. The Capulets act as if they are in charge, almost as if the Montague boys are on their territory. The Montague boys try to intimidate the Capulets by one of the boys biting his thumb at the Capulet boys. This irritates them and this meeting turns into a big brawl and everyones guns are drawn ending up with everyone being involved. In this scene there are many different sounds all causing different affects some of these sounds are clearer than others being things like the swish of one of the Capulets coats as he swings to look at the Montagues, Tibalts metal heels as he walked they hit off the floor making a very loud noise and could be heard clearly when stepping out of the car, the fire blazing especially when the fire is lit by the match, The gun dropping this was aloud claming sound, when the match is dropped and crushed when Abra grits his teeth. A gun also hits the tins on the shelf in the garage and this causes the bullets to ricocheted off the sign. There are also several occasions in the scene when there are different voices heard there are different tones of voice and also pitch conversations were heard between the players. Near the end of the scene a helicopter was heard from the sky and the police siren was also heard . All of these complete the scene and also make it as dramatic and intricate as it is. The music in the scene is very important . It gives the scene depth and also dramatic points . It changed a lot during the scene from the Montagues rock music playing in their car when they pulled up to the station to very religious and even very western music. These different types of music shows the real sides of each family and person . the music was chosen to fit the characters for example Benvolio would not be suited to slow classical music where as Tybalt might get away with it . Its like when each different family pulls up there are two different types of music so you can get an idea or pick up their trade mark if you like of what they are all about. In the fight scene there are two very different styles of family each and every thing completes or adds to their style for example we have talked already about the music and attitudes but their dress code is 1 of the key elements. For example the Capulets are very Spanish in their styling with there flowing leather coats, bright waist coats etc. this is also shown with the way Tybalt move whilst shooting and generally moving about the station. Also on the Capulets waistcoats were very religious icons but apart from that there style of clothing was mainly black. In direct contrast the Montague boys were complete opposite dressing very casual and beach like suiting their location this included brightly colour Hawaiian style beach shirts and shorts. GCSE English media assignment Love scene In the opening of the love scene the Capulets are having a party, sort of a live show it is very slow and romantic Romeo has taken a pill and feels a bit dehydrated so he decides to go to the bathroom whilst he is in the bathroom he notices a fish tank and starts to look at it in a bit closer detail, whilst looking into the tank he notices Juliet through the tank and it is love at first sight . the fish tank is made up of blue and yellow fish just like the colours of the cars in the fight scene when Romeo and Juliet meet the fish swim together representing a join of the families as they are supposed to be worst enemies . The two of them watch each other and follow each other through the tank for a while until the nurse calls and Juliet is dragged away. Romeo then follows Juliet out and Juliet is ordered to dance with Paris. Whilst Juliet is dancing Romeo watches and talks to Juliet about them meeting. they both wait till the song finishes and run to the lift where they shares there first kiss together and then many more whilst they are kissing the nurse walks in and tells Juliet that her mother seeks her . Romeo and Juliet are both shocked to find out their true love is yet their worst enemy. In this scene there are many different sounds but yet totally different to the last scene we studied the sounds in this scenes are far more romantic and dramatic for example the music is very slow and peace full suiting the scene very well. When they both run to the lift the music changes slightly as it sort of get your heart going as if they are taking a naughty risk and being sort of childish in away. The other sounds in the scene consist of the lift doors dinging when they shut adding to the dramatic effect and also the sound of the feet running along the corridor. There are also a lot more conversations and voices heard in this scene most of which are either very loud or very quite for example whispering or even mumbling of the crowd. There are also lots of different types of shots involved in this scene for example there are lots of close ups, long shots, double headers and over the shoulder shots these are all used during some point of the scene. some where. As they give more dramatic or romantic feels to the scene fitting in perfectly. An example of a close up is in the lift where Romeo and Juliet share their first kiss and the camera circles them giving the illusion of it lasting longer. All of these different shots complete the scene and the dramatic features it needs are all included. These all help us to understand the scene better. There is a wide range of costumes in this scene all with a meaning and they seam to represent for example Romeo as Juliets knight in shining armour and Juliet as his angel. In the scene they are both dressed very appropriately for each other but dont realise that their true love is their worst enemy. This is the first meting but what they dont realise is that it is also the beginning of the end.

Chaucers Canterbury Tales Essay - The Wife of Bath and the Ideal Woman

The Wife of Bath and the Ideal Woman       The Wife of Bath is one of Chaucer's most memorable characters. In the "General Prologue," she is described as a somewhat deaf, voluptuous, married woman. She is a clothing maker, has a gap tooth, the sign of a lust nature, and she wears brilliant red stockings. Her fantastic description alone sparks interest, a spark that is later fanned into fire when her prologue is read. The Wife's outlandish description of her marriages makes her unique and memorable among the pilgrims in The Canterbury Tales, most of which are identified by conventional occupation. Chaucer has deliberately made the Wife a notable character by giving her life many unconventional twists. Her marriages are contradictory, and her personality is at odds with the medieval view of women Chaucer creates her in order to show that this woman, however rare and unique she is, cannot openly struggle for equality and independence. Her prologue gives the reader the notion that, when Alison is talking about herself, "It's a bit like an anti-confession, with her saying this is what I'm like, there's no way I'm going to change (Beer 8). This is her initial portrayal, but at the end of her prologue, the Wife of Bath succumbs to the pressure of society, conforms and becomes the ideal medieval wife.    The Wife's marriages, when viewed in order, show her struggle for power and her surrender to authority. In the first few lines the reader learns that Alison was married five times. Her five husbands represent the progression of a woman from a power-hungry girl to a submissive spouse. Her five husbands can be divided into two groups, the first group consisting of the Wife's first three husbands. Of this first group she says, "Th... ... Mark. "The Wife of Bath and Women's Power." Assays 4 (1987): 67-83. Bott, Robin. "The Wife of Bath and the Revelour: Power Struggles and Failure in a Marriage of Peers." Medieval Perspectives 6 (1991): 154-161. Carruthers, Mary. "The Wife of Bath and the Painting of Lions." PMLA 94 (1979): 209-18. Chaucer, Geoffrey. The Riverside Chaucer. Ed. Larry Benson. 3rd ed. Boston: Houghton, 1987. Crane, Susan. "Alison's Incapacity and Poetic Instability in the Wife of Bath's Tale." MLA 102 (1987): 20-27. Leicester, Jr., H. Marshall. "Of a fire in the dark: Public and Private Feminism in the Wife of Bath's Tale." Women's Studies 11.1-2 (1985): 157-78. Oberembt, Kenneth. "Chaucer's Anti-Misogynist Wife of Bath." The Chaucer Review 10 (1976): 287-302. Patterson, Lee. Chaucer and the Subject of History. Madison: University of Wisconsin Press, 1991.

Second Foundation 17. War

The mayor of the Foundation brushed futilely at the picket fence of hair that rimmed his skull. He sighed. â€Å"The years that we have wasted; the chances we have thrown away. I make no recriminations, Dr. Darell, but we deserve defeat.† Darell said, quietly, â€Å"I see no reason for lack of confidence in events, sir.† â€Å"Lack of confidence! Lack of confidence! By the Galaxy, Dr. Darell, on what would you base any other attitude? Come here-â€Å" He half-led half-forced Darell toward the limpid ovoid cradled gracefully on its tiny force-field support. At a touch of the mayor's hand, it glowed within – an accurate three-dimensional model of the Galactic double-spiral. â€Å"In yellow,† said the mayor, excitedly, â€Å"we have that region of Space under Foundation control; in red, that under Kalgan.† What Darell saw was a crimson sphere resting within a stretching yellow fist that surrounded it on all sides but that toward the center of the Galaxy. â€Å"Galactography,† said the mayor, â€Å"is our greatest enemy. Our admirals make no secret of our almost hopeless, strategic position. Observe. The enemy has inner lines of communication. He is concentrated; can meet us on all sides with equal ease. He can defend himself with minimum force. â€Å"We are expanded. The average distance between inhabited systems within the Foundation is nearly three times that within Kalgan. To go from Santanni to Locris, for instance, is a voyage of twenty-five hundred parsecs for us, but only eight hundred parsecs for them, if we remain within our respective territories-â€Å" Darell said, â€Å"I understand all that, sir.† â€Å"And you do not understand that it may mean defeat.† â€Å"There is more than distance to war. I say we cannot lose. It is quite impossible.† â€Å"And why do you say that?† â€Å"Because of my own interpretation of the Seldon Plan.† â€Å"Oh,† the mayor's lips twisted, and the hands behind his back flapped one within the other, â€Å"then you rely, too, on the mystical help of the Second Foundation.† â€Å"No. Merely on the help of inevitability – and of courage and persistence.† And yet behind his easy confidence, he wondered- What if- Well- What if Anthor were right, and Kalgan were a direct tool of the mental wizards. What if it was their purpose to defeat and destroy the Foundation. No! It made no sense! And yet- He smiled bitterly. Always the same. Always that peering and peering through the opaque granite which, to the enemy, was so transparent. Nor were the galactographic verities of the situation lost upon Stettin. *** The Lord of Kalgan stood before a twin of the Galactic model which the mayor and Darell had inspected. Except that where the mayor frowned, Stettin smiled. His admiral's uniform glistered imposingly upon his massive figure. The crimson sash of the Order of the Mule awarded him by the former First Citizen whom six months later he had replaced somewhat forcefully, spanned his chest diagonally from right shoulder to waist. The Silver Star with Double Comets and Swords sparkled brilliantly upon his left shoulder. He addressed the six men of his general staff whose uniforms were only less grandiloquent than his own, and his First Minister as well, thin and gray – a darkling cobweb, lost in the brightness. Stettin said, â€Å"I think the decisions are clear. We can afford to wait. To them, every day of delay will be another blow at their morale. If they attempt to defend all portions of their realm, they will be spread thin and we can strike through in two simultaneous thrusts here and here.† He indicated the directions on the Galactic model – two lances of pure white shooting through the yellow fist from the red ball it inclosed, cutting Terminus off on either side in a tight arc. â€Å"In such a manner, we cut their fleet into three parts which can be defeated in detail. If they concentrate, they give up two-thirds of their dominions voluntarily and will probably risk rebellion.† The First Minister's thin voice alone seeped through the hush that followed. â€Å"In six months,† he said, â€Å"the Foundation will grow six months stronger. Their resources are greater, as we all know, their navy is numerically stronger; their manpower is virtually inexhaustible. Perhaps a quick thrust would be safer.† His was easily the least influential voice in the room. Lord Stettin smiled and made a flat gesture with his hand. â€Å"The six months – or a year, if necessary – will cost us nothing. The men of the Foundation cannot prepare; they are ideologically incapable of it. It is in their very philosophy to believe that the Second Foundation will save them. But not this time, eh?† The men in the room stirred uneasily. â€Å"You lack confidence, I believe,† said Stettin, frigidly. â€Å"Is it necessary once again to describe the reports of our agents in Foundation territory, or to repeat the findings of Mr. Homir Munn, the Foundation agent now in our†¦ uh†¦ service? Let us adjourn, gentlemen.† Stettin returned to his private chambers with a fixed smile still on his face. He sometimes wondered about this Homir Munn. A queer water-spined fellow who certainly did not bear out his early promise. And yet he crawled with interesting information that carried conviction with it – particularly when Callia was present. His smile broadened. That fat fool had her uses, after all. At least, she got more with her wheedling out of Munn than he could, and with less trouble. Why not give her to Munn? He frowned. Callia. She and her stupid jealousy. Space! If he still had the Darell girl- Why hadn't he ground her skull to powder for that? He couldn't quite put his finger on the reason. Maybe because she got along with Munn. And he needed Munn. It was Munn, for instance, who had demonstrated that, at least in the belief of the Mule, there was no Second Foundation. His admirals needed that assurance. He would have liked to make the proofs public, but it was better to let the Foundation believe in their nonexistent help. Was it actually Callia who had pointed that out? That's right. She had said- Oh, nonsense! She couldn't have said anything. And yet- He shook his head to clear it and passed on.

The Things They Carried by Tim OBrien Essay - 1103 Words

The Things They Carried by Tim OBrien â€Å"The Things They Carried† was a story about soldiers caught in the confusion of the Vietnam War. There are a lot of apparent themes that are dealt with when writing a story about war, especially about death. I enjoyed reading this story; however there were some things about it that I was concerned about. I would like to discuss the author’s style of writing, his meaning of the title â€Å"The Things They Carried† and the way the author and his characters deal with death. This story was written with a variety of styles, and it was in a non-traditional format. The main style seems to be a third person, limited omniscient story. However, this story also includes elements of flashback. In a traditional†¦show more content†¦Either your audience is liberal and understands the use of the words, or your audience is conservative, and they are offended and don’t finish reading. However, I also believe that the words are put in not for the vulgarity, bu t for an authentication of what was going on in the war. They were not used in every dialogue, or every sentence, but in places where you might â€Å"normally† hear them. All of these different elements together provided for a very dynamic story. I did pick up on the central themes in the story. One thing that was apparent was Lt. Jimmy Cross, and his use of his â€Å"girlfriend† Martha to deal with the war. Another is the death of one comrade, Ted Lavender, and how it affected the soldiers. And then there is the title, â€Å"The Things They Carried†, in which the author takes time to emphasize throughout the story. I felt that author also tried to mislead readers by the title, because the story is really not about the ‘Things†. In the story there are large passages in which the author describes, to the pound, the weight of the physical things that each of the soldiers carried. In each passage however, there was one statement or something that didn’t fit into the physical things category. The soldiers were also sectioned off into stereotypes, which I also believe was on purpose. For example â€Å"Ted Lavender, who was scared, carriedShow MoreRelatedThe Things They Carried by Tim Obrien1426 Words   |  6 PagesThe War at Home The Things They Carried, by Tim O’Brien, transports the reader into the minds of veterans of the Vietnam conflict. The Vietnam War dramatically changed Tim O’Brien and his comrades, making their return home a turbulent and difficult transition. The study, titled, The War at Home: Effects of Vietnam-Era Military Service on Post-War Household Stability, uses the draft lottery as a â€Å"natural experiment† on the general male population. The purpose of the NBER (National Bureau of EconomicRead MoreThe Things They Carried by Tim O’brien1610 Words   |  7 PagesThe Things They Carried by Tim O’Brien Plot: 1. RISING ACTION †¢ In the summer of 1968, Tim O’Brien receives a draft notice. Despite a desire to follow his convictions and flee to Canada, he feels he would be embarrassed to refuse to fulfill his patriotic duty and so concedes to fight in Vietnam. CLIMAX †¢ During their tour of duty, the men of the Alpha Company must cope with the loss of their own men and the guilt that comes from killing and watching others die. FALLING ACTION †¢ After he returnsRead MoreThe Things They Carried by Tim OBrien1156 Words   |  5 PagesIn Tim O’Brien’s novel, â€Å"The Things They Carried,† imagination is seen to be both beneficial and harmful. This novel consists of a story truth and a real truth. Tim O’Brien writes the book about the Vietnam War based primarily on his memory of the war. He does not remember every detail of the war, thus he makes up some false details to make the story seem more interesting. He does not only describe his own experiences, but also describe the experiences of other characters. He wants the readers toRead MoreThe Things They Carried by Tim OBrien1154 Words   |  5 PagesThe novel The Things They Carried by Tim OBrien begins by Mr. OBrien describing his dramatical events that happened during the middle of his Vietnam experience while he was fighting in the war. Mr. OBrien received his draft notice in the month of June in the year of 1968. When he received this notice Mr. OBrien had feelings of confusion, and that drove him to go north to the Canadian border, and it had him contemplating if he wanted to cross it or not because he does not want to be forced toRead MoreThe Things They Carried by Tim OBrien793 Words   |  3 PagesIn the novel, The Things They Carried, by Tim O’Brien there is an ambiguity assigned to the life of a soldier in the Vietnam war, an ambiguity that represents no clear moral victor, no clear heroes, and seemingly no end. In the movie, Platoon, written and directed by Oliver Stone, the same ambiguity is depicted, with no clear moral direction, no clear heroes, and no clear resolution. In the short story, â€Å"How to Tell a True War Story,† O’Brien talks in great detail about how a true war story, andRead MoreThe Things They Carried by Tim O’Brien550 Words   |  2 Pagespersonnel documents are in order. These are just a few items that need to be checked off of a to-do list, or inventory if you will. In â€Å"The Things They Carried† by Tim O’Brien, the main character, First Lieutenant Jimmy Cross, runs through a series of events that he had his squad carried, both on their person and in their minds. â€Å"The Things They Carried† is about Cross and the soldiers under him and their activities in Vietnam during the war. The story begins with Cross introducing the objectRead MoreThe Things they Carried by Tim OBrien529 Words   |  2 PagesIn the story The Things They Carried Tim O’Brien didn’t mention anything about traditional war heroes. I think this was a great idea, because there are no traditional war heroes. A traditional war hero is someone who is fearless and someone who can’t be harmed mentally or emotionally. But in The Things They Carried the soldiers out on the front lines were emotionally and physically scarred. Tim O’Brien didn’t write about traditional war heroes, O’Brien wrote about normal people, people with differentRead More The Things They Carried by Tim O’Brien580 Words   |  2 Pagesbook, The Things They Carried, author Tim O’Brien tells the captivating story of soldiers and everything they ha d to go through during the Vietnam War. He tells of the many things that change a person during a war and what helped many to get through it. One of the main things that helped them to get through was women. While women did not play a huge role in this book, they did play a very important role. Women were the†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ Martha was the lady that Lieutenant Jimmy Cross loved. He carried letters andRead MoreOverview: The Things They Carried by Tim OBrien1510 Words   |  7 Pages The Things They Carried is a novel written by Vietnam Veteran Tim O’Brien. The Vietnam War took place between 1955 and 1975. Most of the soldiers fighting were young teenage men around the age of eighteen and nineteen years old. Like O’Brien many of these young men were pulled away from their families and life to fight a war they didn’t approve of or even know about. This had a strong affect on most of these men and O’Brien uses different ways to show how the Vietnam War affected them both physicallyRead MoreThe Things They Carried by Tim OBrien580 Words   |  2 Pagesdaydreaming and felt the pain of Lavenders death. He came to realize he was to blame for the death of Ted Lavender. Lieutenant Jimmy Cross’ mind was mixed with the emotions of both Martha and the death of Ted Lavender. While Lavenders body was being carried to the chopper, all Lieutenant Cross could think about was Martha. He was thinking about how he loved her more than anything, even more than his men. He believed Ted Lavender was dead because he loved Martha so much and could not stop thinking about